"What the actual fuck!" Ryder slams his foot on the Range Rover's brake before his conscious brain has even fully processed what's he's seen. The big SUV lurches, the tires shrieking over the asphalt. It comes to a shuddering stop in a cloud of acrid rubber smoke.
Once the vehicle has finished rocking on its shocks, he kicks the door open. For a moment, the parking lot of Rogue Ales and Spirits echoes to Destination Calabria played at ear-damaging volume, then it's muffled behind the SUV's heavy door.
Who the fuck leaves a spike strip in the middle of the damn road?
A lean, athletic man with the build of a fighter, Ryder bends down and picks up a piece of glinting brass.
Whoever was thoughtless enough to go popping these off in public.
It doesn't take a genius to work out what has gone down here, which is just as well, since nobody ever accused him of being one. But even Ryder can read this little scene. Torn rubber on the asphalt, glass splinters, brass casings. A smashed boombox...
... actually, he doesn’t know about that one.
He looks around with suspicious eyes. All the traces suggest this happened a while back, but—
He touches the Sig Sauer in his waistband. Like everything else precious in his life, it's stolen. The gun, the knife, the SUV, his clothes. Although, these days, it's not stealing. Or at least, nobody is going to try to arrest him for it.
The spiked strip isn't a police model. He's seen enough of those to recognize them. It's some homemade piece of shit.
Fucking weird.
He kicks and drags the strip off the blacktop and into the bushes off the side of the road.
Another burst of music and the Range Rover's tires scream for purchase as the SUV lurches forward. He's been trying to get here since they let him out of prison on September 9th. Or, not here, specifically. He's been following the breadcrumbs of Phoenix's trail since everything went to shit. Hard to believe that was only seven weeks ago. What Phoenix is doing in Oregon is beyond him, but the courts have a weird sense of humor sometimes. The last breadcrumb he picked up said there were a couple of blond girls living on a ship in the bay, one of them about Phoenix's age. It's not a lot, but he's never been one to quit on a thing he's started.
There are a couple of walkers staggering along the road. He swerves. The bodies pound into the hood and bounce brokenly onto the verge. One thumps beneath the wheels and he watches its chewed remains in the rearview.
He laughs.
Fuckers.
After that, the ship isn't hard to find. It's the biggest thing in the bay, and the only thing with living people on it. More living people than he's seen since he blew through Newport yesterday.
He circles the SUV and stops with it pointing out. Stabs the audio set and the music dies. He watches the faces appearing along the edge of the ship. Licks his lips and wonders if he needs the carbine. In the end, he leaves it. He's not about to start a war here.
The wind off the bay is unforgiving. Chill gusts damp with spray. November in Oregon. It isn't silent, he notes. The boat, ship, whatever, is burbling away, dribbling water into the bay. Quiet enough, but there. With the Sig in the back of his jeans, he gets out with his hands on display. There's a Bowie knife strapped to his thigh, and a switchblade taped to his ankle. He eyes the suspicious faces looking for one in particular.
"I'm looking for Phoenix Hudson," he calls at last, when nobody shoots him.
It isn't Phoenix that answers him, though. It's another blond girl who shoulders through the crowd to look down on him.
"Ryder?" Her eyes go massive.
Ryder squints against the bright sky. It takes a fraction of a second before the name conjures itself.
"Laura?" They stare at one another. It's an oddly awkward moment as the pieces of their past reassemble themselves. She wasn't his first—that was the substitute English teacher in senior high—but he was hers. In Phoenix's bedroom, if he recalls. Laura being one of his sister's friends. A couple of months later, Laura
left Detroit, and he got a stern talking to from Child Services.
"What the hell are you doing in Oregon?" he asks.
"She's not here, Ryder," Laura says, plucking thoughts from his mind.
"I haven't seen her since—" She chews her lip, turns to the surrounding people. They exchange words that Ryder can't hear. Then she turns back.
"You'd better come aboard."